A Mies with the mind of an engineer, a freer and more creative Prouvé, a more multifaceted and experimental Nervi, and even a Brancusi drawing on the technology of his own time: Mangiarotti managed to apply his own ingenuity to both architecture and design, a razor-sharp exponent of rigorous functionalism, who, however, never lost sight of elegance and beauty, taking his own work to the very verge of sculpture through clever studies of form, always using cutting-edge production processes and materials backed up by proper know-how and, above all, thinking, constantly drawing on ethical principles and a deep awareness of moral values, unique traits of this master, who, by brilliantly bringing together the dual qualities of ethics and aesthetics, has achieved happiness through correctness.
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